For the new permanent exhibition at the Haus der Geschichte in Bonn, we developed six interconnected and highly participative media installations – from the Prologue at the entrance, through four interactive stations within the exhibition route, to the Epilogue.
The result is a continuous media narrative that shifts the focus within the museum: away from the object alone and toward the visitors themselves. History is not merely observed, but compared, reflected, and expanded through one’s own biography. Each station invites a personal decision, a memory, or a stance – making visible that visitors themselves are part of historical processes.
WHAT'S YOUR NAME?
At this installation, visitors are asked for their first name. They write it with their finger – it is automatically recognized, and a personalized film begins: the name appears on large screens, is historically contextualized, and placed in relation to others. How popular was it? When did it peak? How many people here share it?​​​​​​​
Handwriting is recognized using AI, supported by a locally running large language model, while two datasets form the foundation for the installation: the most popular first names of the past 100 years and all names written on-site.
In the end, a personal name map is generated: the visitor’s own name at the center, surrounded by related names. The greater the distance, the weaker the linguistic relationship. The visualization is generated as a force-directed graph with clusters and semantic distances.​​​​​​​
WHAT MOVES YOU?
This installation focuses on the present and civic engagement. Visitors select the issue that currently matters most to them – peace, environment, equality, or prosperity. By turning a mechanical crank, they symbolically generate energy. Alone or together: collaboration makes it easier. In the end, an overview reveals which topics have received the most collective energy.
The crank movement is translated in real time into a dynamic light and energy visualization. A reactive soundscape reinforces rhythm and playfulness. Energy serves as a visual metaphor and feeds into an aggregated overview that makes collective priorities visible.
PROLOGUE
Right at the entrance, the exhibition theme becomes literally visible: visitors become part of iconic photographs of German history – from post-war imagery to contemporary movements such as Fridays for Future. Viewers become actors. Their silhouettes enter historical image spaces – first revealed, then deliberately integrated.
A high-resolution curved LED wall creates an immersive spatial experience, visible both from the balcony and from the foyer below. Using AI-based object detection (YOLO), people are segmented, assigned stable IDs and individual colors, and placed into three-dimensional image spaces.
For the historical motifs, we generated AI-based depth maps, developed a custom tool for correction and overlap control, and introduced subtle camera movements to create a nuanced 3D effect. A dedicated shader pipeline compensates for architectural obstructions such as the railing. A reactive soundscape responds to movement direction, enhancing immersion.
Credits: 
Client: Stiftung Haus der Geschichte der Bundesrepublik Deutschland
Contractor: SCHNELLE BUNTE BILDER
My role: Art Direction, Design, Code and Realisation
Sound Scenography: kling klang klong
Initial Concept: Kossmanndejong, YIPP
Integration AV systems: 235 Media